Skip to main content

From Paul Feig to Agnès Films' #FavWomanFilmmaker campaign

#FavWomanFilmmaker team photo: Hannah Countryman
A great week last week, thanks to the male allies of #womeninfilm. Paul Feig tweeted several times in support of Destri Martino's fine work at The Director List, where she's created an elegant database of over 1000 accomplished women directors from around the world (more coming all the time!) and, each Friday, provides us with info about the latest crowdfunding for projects with women directors. This kind of very useful tweet –
On Women & Hollywood, award-winning screenwriter/director Matthew Hammett Knott wrote 'Confessions from Above the Celluloid Ceiling: The Truth About White Male Privilege'.

Kyle Buchanan produced a three-part series about women directors, starting with 100 Directors That Hollywood Should Be Hiring, continuing with 100 Women Directors: Actors, Producers, and Twitter Users Suggest Even More Names and ending with 5 Dumb Reasons Why Hollywood Won’t Hire Women Directors.

And in New Zealand, writer/directors Jemaine Clement and Jonathan King and actor Ben Fransham tweeted in support of gender equity in allocation of the New Zealand Film Commission's funding (scroll down here for more details, I was very excited).


And another great week this week. Warmed by all this extra support and info, we can contribute to the #FavWomanFilmmaker campaign,  from Agnès Films, a United States-based collective that supports women filmmakers, in all roles.

The #FavWomanFilmmaker hashtag will be on Twitter for four days (Monday November 9 – Thursday November 12), for us to tweet our favorite woman filmmakers and the reasons why we love them.

Agnès Films, named in honor of Agnès Varda, the French filmmaker who has been making women-centered fiction films and documentaries for over 50 years, hopes 'to bring awareness of the transcendent work being done by women behind the camera and to invite people to check it out and share it with others' and will be twinterviewing many people with intimate knowledge of the issues, like Women & Hollywood's Melissa Silverstein,  writer/director Hope Dickson Leach who's just finished shooting her first feature, The Levelling, and is part of Raising Films ('making babies, making films, making change') and Sophie Mayer (also part of Raising Films) whose Political Animals: The New Feminist Cinema has just been published.



Calendar All times are EST. For some of us in other timezones, we may need to keep checking a converter.

Not sure about your faves? Looking for more?

Check out these Women Filmmaker Lists created for people who work 'in the industry'– 
The Director List's thoughtfully curated database. 
Ms in the Biz's #HireAMs database– from Acting Coach (on set) and Art Directors to Production Managers to Writers/Script Doctors.
And then there are those fabulous individuals who commit to reading and watching women's work for an extended period and share that commitment with us–
Maria Judice's ReWrite Hollywood tumblr where she posts a feature script written by a woman each week. Am soooo grateful to her. 
Beti Ellerson provides comprehensive resources through her French/English African Women in Cinema blog. 
Cinema Fanatic's compelling A Year With Women, where every movie she watches in 2015 (at home or in theaters) is written by, directed by, co-written by or co-directed by women. Her idea's been picked up by–  
Women in Film Los Angeles, where we can pledge to watch 52 films by women over a year. 
 Check out the #DirectedByWomen's thorough lists, too.

& let me know if you have an additional list, from anywhere in the world?

There will be videos each day of the #FavWomanFilmmaker campaign. Here's the first one. I like it!

Comments

Popular posts from this blog

NZ Update #12: Everything's Gonna Be All Right?

Look at these two! Our Prime Minister and our distinguished filmmaker and global advocate for women filmmakers meet, at last week's SPADA (Screen Production and Development Association) conference. Look at their pleasure in each other. Their body language. Their close attention.




For me, this meeting is a significant turning point in the movement to gender equity in the allocation of public money for screen storytelling. The first one was at 2015's Big Screen Symposium, when Chelsea Cohen – with support from other Māori women – spoke out  about the need to allocate New Zealand Film Commission funding equally to women and men. Our first woman writer/director/producer to do this publicly. Her courage made it safer for others to follow her example.

So: what might this Jacinda-And-Jane meeting mean?

The new government has already announced its commitment to pay equity and I think we can now be confident that gender equity will infuse screen production. I think we can also be confid…

Pause. Reflect. Cherish.

Chantal Akerman's Death
I tried to write about why I felt so deeply sad about Chantal Akerman's death, then read a post from poet Ana Božičević, who got it just right for me–
No one knows for sure why a woman takes her life but that Chantal A might have done so in part because her No Home Movie – about her mother Natalia an Auschwitz survivor, which was grueling to make – was booed...really breaks my heart this morning. I wonder always, who cares, as in provides care, for the women artists who go to deep dark uncommercial places? Which intimate understands the skill, of craft and emotion, necessary for the work that they do? I wrote in some napkin or tweet once 'they only love the Sylvias after they are dead'. Give care to the woman artist in your life even and especially when she does the hard depth work that challenges the mind and body, yours and hers. And if you are that woman, thank you today & every day. Thank you, Ana. And many thanks for letting me reprint …

NZ Update #17.1 Safety Revisited

(This is easier to read over on Medium)

Back in October, just before the #directedbywomen screenings in Auckland, I tumbled down a steep flight of wooden steps in Auckland's Ayr Street Reserve. Cracked one ankle and broke the fibula in my other leg. Missed spring gardening. Missed all of Wanuri Kahiu's visit (but not some beautiful responses from the many people she inspired and revitalised).

Couldn't transcribe or edit my #directedbywomen Skype interview with Isabel Coixet. Couldn't edit and publish other almost-ready interviews I cherished. Couldn't organise more screenings that filmmakers had requested, with the films' directors beamed in to Te Auaha's small treasure of a cinema for Q & As, also via Skype.

After two months almost entirely at home, half-way down a pedestrian-access steep zigzag, I'm fully mobile again. With thanks to the Accident Compensation Corporation's (ACC, our universal no-fault accidental injury scheme) fine services; to…