Here She Comes
I can't wait to read this new book. It will arrive in the mail very soon. And there's a Facebook page associated with it where—according to Sophie Mayer one of the editors— "we're going to try and gather and share lots of news and ideas about women's cinema and visual media": (see her comment a couple of posts down, & the link to her site on the sidebar to the right here).
Here's what the publishers say about the book:
Following in the footsteps of the filmmakers whose work it features —including Miranda July, Janie Geiser, Tracey Moffatt, Sally Potter, Cindy Sherman, Samira Makhmalbaf, Sadie Benning, Agnès Varda, Kim Longinotto, and Michelle Citron— There She Goes: Feminist Filmmaking and Beyond seeks to make trouble not only in the archives but also at the boundaries between artistic, industrial, political, critical, and disciplinary practices. Editors Corinn Columpar and Sophie Mayer have assembled scholarship that responds to women’s work in the interstices between different branches of the film industry, modes of filmmaking, national or transnational contexts, exhibition media, and varieties of visual representation in order to assess the exchanges such work enables.I'm most looking forward to reading what the book says about the conditions of production and circulation—the contextual factors—because so many books about women and film ignore these.
Essays in the first three sections of There She Goes explore connections at the level of curation and exhibition, while the subsequent four consider local connections such as those between the film and the audience or between works within an oeuvre, down to those occurring on the surface of the film. Contributors reach beyond traditional screen cinema to interact with a larger field of artistic production, including still photography, music videos, installation art, digital media, performance art, and dance. Essays also pay particular attention to a variety of contextual factors that have shaped women’s filmmaking, from the conditions of production and circulation to engagement with various social movements and critical traditions, including, but not limited to, feminism.
By foregrounding fluidity, There She Goes presents an exciting new appraisal of feminist film culture, as well as the intellectual and affective potential it holds for filmmakers and filmgoers alike. Scholars of film and television studies and gender studies will appreciate the fresh outlook of There She Goes.