Wellywood Woman

There have been many reports of Jane Campion's statements at the Cannes press conference for the main jury, where she said, in response to a question about 'inherent sexism'– There is some inherent sexism in the industry. Thierry Frémaux told us that us only 7% out of the 1,800 films submitted to the Cannes Film Festival were directed by women. He was proud to say that we had 20% in all of the programs. Nevertheless, it feels very undemocratic, and women do notice. Time and time again we don’t get our share of representation. Excuse me gentlemen, but the guys seem to eat all the cake. It’s not that I resent the male filmmakers. I love all of them. But there is something that women are thinking of doing that we don’t get to know enough about. It’s always a surprise when a woman filmmaker does come about. But, as president of the jury, she's also been interviewed many times, and it seems that every time she's spoken, she's addressed the 'woman questio

It's been a while. I've been writing an essay for a book: Women Screenwriters: An International Guide , edited by Jill Nelmes and Jule Nelbo, to be published by Palgrave Macmillan. I had to catch up with New Zealand women's screenwriting for features, and I've been wholly absorbed with that. What an amazing and talented and diverse group our women screenwriters are, and very generous with their time, answering my questionnaire, expanding on their responses by email, phone and in person. Asking me questions. I learned lots. Today's most interesting women screenwriter facts? In the last decade 14 percent of New Zealand Film Commission-funded feature films had female protagonists. But over 70 percent of my respondents' feature film scripts had female protagonists. Questionnaires are still coming in and I'll take another look at them all in a future post. Many thanks to Katalin Galambos for her help with the stats. Now the chapter's done, except for editi