Wellywood Woman

This is the year for the female mavericks to get the same treatment as their brothers *  In New Zealand there’s a new competition for feature films, called Make My Movie . The winner receives $100,000 and makes a movie. As a first step, participants submitted posters for their movies online, with a synopsis, and filled in a few more details, some in relation to the participants’ track records, from memory. One detail requested was ‘age’, which I questioned. The competition needed to know that entrants were over 18, but because of the potential for age discrimination it seemed more appropriate to ask entrants to state that they were over 18.** Twelve finalists were selected, from around 750. Anyway, I became interested when I saw that the project's writer's name was the only personal name that appeared online with each submission. Aha, I thought, what a great way to find out more about the range of New Zealand women screenwriters. How many are there? So I started at th

Five docos that women directed or co-directed are among the fifteen films short-listed for the Documentary Feature category of the 2012 Academy Awards. Warm congratulations to all these women!

We have lovely neighbours. Madeline McNamara is one of them. A writer, director, actor. Her current gig, for Voice Arts Trust , is At Circle’s End: The Drama of Death from Diverse Perspectives . Part of the Death and Diversity programme at Museum of Wellington City and Sea, At Circle’s End explores death and dying, grief, mourning and lamentation, in a celebration of diversity and sameness, and of life. And to create this unique production, Madeline’s worked with a group of strangers, diverse in culture, faith, age and performance experience. There will be six 40-minute performances only:
 7pm Friday 18 November 3pm Saturday 19 November 3pm Sunday 20 November 7pm Friday 25 November 3pm Saturday 26 November 3pm Sunday 27 November. Entry is by koha/donation. Limited seating, booking is essential: call 472 8904. If you saw Madeline’s Demeter’s Dark Ride (nominated for Most Original Production of the Year in the Chapman Tripp Awards that year) you’ll realise that At Circle’s E

Mary Wiles at Canterbury University edited this beautiful catalogue (34pp) for Gaylene's recent retrospective at Te Papa Museum of New Zealand. It's a great overview of Gaylene's documentaries and biographical drama. I loved reading Keri Hulme's memories of being filmed by Gaylene, Mary Wiles' interview with Gaylene and Deborah Shepard's, Bruce Harding's and Paul Sutorius' contributions. The catalogue also includes a filmography I made as part of my archival work for Gaylene, with a wee reference to Corinn Columpar and Sophie Mayer's There She Goes: Feminist Filmmaking and Beyond , which helped me articulate how Gaylene can be understood as a feminist auteur. And I'm thrilled that by accident the filmography associates me with Gender & Women's Studies at Victoria University of Wellington, where the lovely lecturers made space for the work on Gaylene's archive, waaaay back in 2003: it was such a supportive and generous and life-and