Skip to main content

have to shake my body out





Ah, I love Lisa Gornick's film drawing site, and some of her recent drawings about making her new film Dip especially, as well as one about an Helene Cixous lecture. But today, have to shake my body out really hits the spot.

Longing to have full scale shake out but have to stay hunched over this keyboard. A bit like  the person in this other Lisa Gornick drawing, the monotony of logging.


Even the most interesting work in the world has tedious bits--

And it looks like the Easter weekend will be fine enough for a barbie, featuring a neighbour's amazing beetroot in the salada-- A shake out among the tomato plants and the little black beetles that are feeding on them (& reproducing at speed).

Thanks Lisa, for the pleasure your drawings give me.

Comments

  1. i've gone through this blog. i found it really interesting. nowadays im working and also studying in reputed college.

    online business

    ReplyDelete

Post a Comment

Popular posts from this blog

NZ Update #12: Everything's Gonna Be All Right?

Look at these two! Our Prime Minister and our distinguished filmmaker and global advocate for women filmmakers meet, at last week's SPADA (Screen Production and Development Association) conference. Look at their pleasure in each other. Their body language. Their close attention.




For me, this meeting is a significant turning point in the movement to gender equity in the allocation of public money for screen storytelling. The first one was at 2015's Big Screen Symposium, when Chelsea Cohen – with support from other Māori women – spoke out  about the need to allocate New Zealand Film Commission funding equally to women and men. Our first woman writer/director/producer to do this publicly. Her courage made it safer for others to follow her example.

So: what might this Jacinda-And-Jane meeting mean?

The new government has already announced its commitment to pay equity and I think we can now be confident that gender equity will infuse screen production. I think we can also be confid…

NZ Update #17.1 Safety Revisited

(This is easier to read over on Medium)

Back in October, just before the #directedbywomen screenings in Auckland, I tumbled down a steep flight of wooden steps in Auckland's Ayr Street Reserve. Cracked one ankle and broke the fibula in my other leg. Missed spring gardening. Missed all of Wanuri Kahiu's visit (but not some beautiful responses from the many people she inspired and revitalised).

Couldn't transcribe or edit my #directedbywomen Skype interview with Isabel Coixet. Couldn't edit and publish other almost-ready interviews I cherished. Couldn't organise more screenings that filmmakers had requested, with the films' directors beamed in to Te Auaha's small treasure of a cinema for Q & As, also via Skype.

After two months almost entirely at home, half-way down a pedestrian-access steep zigzag, I'm fully mobile again. With thanks to the Accident Compensation Corporation's (ACC, our universal no-fault accidental injury scheme) fine services; to…

Pause. Reflect. Cherish.

Chantal Akerman's Death
I tried to write about why I felt so deeply sad about Chantal Akerman's death, then read a post from poet Ana Božičević, who got it just right for me–
No one knows for sure why a woman takes her life but that Chantal A might have done so in part because her No Home Movie – about her mother Natalia an Auschwitz survivor, which was grueling to make – was booed...really breaks my heart this morning. I wonder always, who cares, as in provides care, for the women artists who go to deep dark uncommercial places? Which intimate understands the skill, of craft and emotion, necessary for the work that they do? I wrote in some napkin or tweet once 'they only love the Sylvias after they are dead'. Give care to the woman artist in your life even and especially when she does the hard depth work that challenges the mind and body, yours and hers. And if you are that woman, thank you today & every day. Thank you, Ana. And many thanks for letting me reprint …