Ariel Dougherty Interview by Alexandra Hidalgo You have a long history of making films and supporting women filmmakers, what made you interested in the intersections between the moving image and feminism? It was the spring of 1969. I was with 100 college-mates in the middle of an eleven day sit-in in our college administration building, when a recent graduate brought several films from Community Newsreel. One of the films was Make Out , but another of the films really got to me. A woman was ironing. Suddenly I started to see the preconceived roles we women were expected to fulfill. They were vastly different from my own ideas of myself. Already I was teaching kids filmmaking. I began to see that I could tell our own stories on film. If today it is unusual to be a woman behind the camera, back in the 1970s when you were a pioneer feminist filmmaker, it was outright revolutionary for you to pick up a camera. Can you tell us what made you want to do so and what the exp
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