Wellywood Woman

Eleven Disappointment It's New Zealand International Film Festival (#nziff) Time! Again. I've asked if the festival will follow Cannes' example and release details about how many women-directed works were submitted this year. My request was passed on to the programmers. No response yet. And now the New Zealand feature-length selections have been announced , plus a doco by Florian Habicht which was not on the initial list (perhaps there are more to come). Five narrative features. Not one has a woman writer or director. Only one, Gerard Johnstone's Housebound , has a woman protagonist.

Fantail opens in New Zealand cinemas this Thursday, 5 June. It’s the story of service station worker Tania, a blonde-haired, blue-eyed woman who identifies as M a ori, working to take her little bro Pi to Surfer’s to find their Dad. But flitting Pi causes plans to go awry. (The Maori myth of Hine-Nui-Te-Po, Maui and the fantail/p i wakawaka is its starting point,  see links below if you're unfamiliar with the story.) Fantail  was made through the New Zealand Film Commission’s low-budget Escalator scheme and it's been very successful. It premiered at the New Zealand International Film Festival last year and screened at the International Film Festival Rotterdam, where Level K snapped up the global rights (Curious Film has the Australian and New Zealand distribution rights). It received eight nominations at the New Zealand Film Awards 2013, including a nomination for Best Film. And the reviews are very enthusiastic, too, look at all those stars! I'm excited because F