Wellywood Woman

Something I enjoy about working on the Development project is that it is transmedial, part of a new storytelling world where fiction mixes with non-fiction and where For the first time since ancient cultures, where stories were passed down from generation to generation through verbal communication…the world has now found a new, communal space to share and grow its stories that represent humanity. … In other words, stories are no longer simply stories, they are world views that will evolve with discussion, creation, and review In that communal space, here on the internet, Development is linked with an informal, global, transmedial project to increase the numbers of feature films that women write and direct, and that tell stories about women's lives. (I hope that New Zealand will be the first country in the world where women write and direct half of all features. But I’m not holding my breath.) This blog, and Kyna Morgan’s sister blog over at HerFilm , are as essential to the De

1. Sometimes, it’s hard to resist. I’ve got lots to do, but something else clamours for attention. Today, it’s the bone people (always lower case), the only New Zealand novel to win the Booker Prize. First, I had a big cleanup and found a newspaper clipping from 1 November 1985. Here it is—the late Irihapeti Ramsden, me, and Miriama Evans, shortly after we received the Booker Prize on Keri’s behalf. Irihapeti and Miriama wearing korowai lent by George (Geordie) Fergusson. Me in my Moss Bros tuxedo (and white leather sneakers with pink satin laces, best pair of sneakers I ever had). And a tiki that Irihapeti asked me to wear. If you slide the clipping onto your desktop and zoom in, you can read the text. My main memory of the photograph is that the photographer suggested that we stick our tongues out. I think he wanted us to pukana. l.-r.Irihapeti Ramsden, Marian Evans, Miriama Evans, after the Booker Prize ceremony 1985 It was a strange night. No-one knew what to make of